Independent review

The fifth album of the Californian team, which, however, has a much more tangible popularity in Britain, for the roots of their music go straight from London. The sound is a mixture of Led Zeppelin (the guys love dirt) and Jack White (Scott Holiday also loves overdrives). In the vocals, notes of Chris Cornell. These are the main associations. The performance is modern, but saturated with the spirit of the beginning of the 70s. The recording is seasoned with a fair portion of indie rock. Mike Miley is excellent in his drums and transitions (especially in Thundering Voices), which simultaneously creates links to both Bonham and Mitch Mitchell. Notes of the Hendrix ensemble are especially evident in Baby boy, and in Pretty Faces the spirit of the Stooges awakens. Fade out is a languid, viscous blues, Black Coffee is a cover of Ike and Tina Turner with a most powerful blues saturation. All this outrage ends with a wild jam in Hollow bones pt. 2. In fact, nothing new, but quite exciting. Rival Sons have been taking by this for more than the first year. Just turn it up louder and float along the explosive waves of the 60-70s.

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