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Independent review

The ninth album of the British socially and politically savvy duo from Nottingham. One could say Sleaford Mods are the voice of the people, so the origin from the birthplace of Robin Hood is not accidental. I was advised to listen to this collective, and I immediately decided to get acquainted with the new creation, which also has excellent criticism in authoritative publications. There is a strong influence of punk music, especially The Clash, although in style it is more hip-hop. There is little music, and given the internal strength, it lacks real drive, although a decent groove sometimes breaks through. For me, it makes sense to expand the collective into a real group, and not just one multi-instrumentalist and a vocalist-reader. The tracks don't drag on, and that is a plus with such an ascetic delivery.

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