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Artists and performers

Blondie — Jimmy Destri

Blondie — Chris Stein

Blondie — Clem Burke

Blondie — Deborah Harry

Blondie — Nigel Harrison

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Blondie — Frank Infante

Producers: Mike Chapman

The record

Track listing

12 tracks
  1. 0 Hanging on the Telephone Preview sources
  2. 1 One Way or Another Preview sources
  3. 2 Picture This Preview sources
  4. 3 Fade Away and Radiate Preview sources
  5. 4 Pretty Baby Preview sources
  6. 5 I Know but I Don't Know Preview sources
  7. 6 11:59 Preview sources
  8. 7 Will Anything Happen? Preview sources
  9. 8 Sunday Girl Preview sources
  10. 9 Heart of Glass Preview sources
  11. 10 I'm Gonna Love You Too Preview sources
  12. 11 Just Go Away Preview sources

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Listening #5707

Blondie — Parallel Lines

Cover art for Parallel Lines

MiskamNiretet · 3.5 / 5 · · 2024-02-21 22:35:57

Топовая вещь Blondie. Хотя я их не очень люблю, не являюсь поклонником этой группы и не то чтобы слушал их всё время с удовольствием, но Parallel Lines мне ещё заходит у них. Слушабельно по-крайне мере, что, у пост-панк групп нечасто бывает.

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Listening #2485

Blondie — Parallel Lines

Cover art for Parallel Lines

EveryDisc · 3.5 / 5 · · 2018-10-19 06:24:16

In 78, punk rock no longer had the power it had a year ago. Such styles are fleeting, for they are based on surprise and provocation. To replace it, as often happens, came post. Post-punk. And new wave. Founding fathers, and in the case of Deborah Harry - founding mother, became Blondie. At the very least, they were in the vanguard of the new musical movement. What is the essence of the band's success? Simple punk rhythms without buzzing guitars, without protest, provocation, and dirt. And a little synthesizers, which at that time were so mandatory that even Queen gave in. Commercial punk rock with pleasant female vocals and memorable guitars. One Way or Another and 11:59 - are certainly the personification of the band's style, Heart of Glass suits everyone, and the cosmic ballad Fade Away and Radiate shows that the band has richer potential. If the second Blondie album became platinum in Britain (it was there, in the homeland of punk, that the American band found its initial success), then Parallel Lines became platinum already in the USA, reaching the 6 spot on Billboard. In Britain, the record climbed to the very top. In the UK, the band repeated its success with the longplay Eat to the Beat, but in America, such success could not be achieved, although the band maintained huge popularity until 1980, with a subsequent comeback in 1999.

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