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Artists and performers

Пилот — Илья Чёрт

Пилот — Андрей Казаченко

Пилот — Сергей Вырвич

Пилот — Никита Белозёров

Пилот — Павел Пиковский

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Пилот — Егор Убель

Пилот — Максим Некрасов

Пилот — Юлия Шолохова

Пилот — Олег Петрищев

Cover art for Кукушка
Release · EveryDisc catalogue

Кукушка

2.6/ 5 · average rating
Release year2016
StylesAcoustic, Rock

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The record

Track listing

15 tracks
  1. 0 Безвозврат Preview sources
  2. 1 Светлого пути Preview sources
  3. 2 Проводник и стюардесса Preview sources
  4. 3 Оттепель Preview sources
  5. 4 Путеводная Preview sources
  6. 5 Встретились на счастье Preview sources
  7. 6 Колыбельная Preview sources
  8. 7 Не мстят живущие под Богом Preview sources
  9. 8 Память Preview sources
  10. 9 Разбойничья Preview sources
  11. 10 Голова-фонарь Preview sources
  12. 11 Кукушка Preview sources
  13. 12 Бесы Preview sources
  14. 13 Никто не споёт нам Preview sources
  15. 14 Одесская Preview sources

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Listening #6903

Пилот — Кукушка

Cover art for Кукушка

MiskamNiretet · 2.0 / 5 · · 2024-06-28 05:03:42

Наполовину русский барт, наполовину примитивный русский радиоформатный рок. Просто я такое не привык и не могу слушать. Реально тут нет не одной стоящей композиции.

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Listening #987

Пилот — Кукушка

Cover art for Кукушка

EveryDisc · 2.5 / 5 · · 2017-11-29 11:58:07

The previous album, Izolyator, by the St. Petersburg group Pilot, quite impressed me. It was original, powerful, and aptly composed. Somewhat close to my favorite creation of the group - Ryba, krot i svinya. I knew that the next album was planned in a different key — a more bard-like direction of Ilya Chort. And here, I believe, is a clear overreach. After all, rock music and bard songs are different things, here Ilya Knabengof sounds in places like Oleg Mityaev. And he does this quite boringly and monotonously. In those compositions where rock music prevails, it is so Russian-rock-like that it immediately asks for airplay on Nashe Radio (I do not want to offend anyone). Moreover, in many songs, for no reason at all, some ancient Russian motifs break through. And if at first it seems more or less original, then soon it begins to simply become tiresome. Plus, Kinchev-like intonations in the voice returned, and I had already begun to forget whom Ilya was painstakingly copying on earlier albums. There are not-bad songs, but there is nothing to highlight in particular. The composition Besy breaks out of the general flow of the album a little and is quite worthy of a separate listening, although this song is not new.

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