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Artists and performers

Skyclad — Martin Walkyier

Skyclad — Steve Ramsey

Skyclad — Kevin Ridley

Skyclad — Georgina Biddle

Skyclad — Graeme English

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Skyclad — Jay Graham

Skyclad — Tirza Abb

Skyclad — Averre Graham

Producers: Skyclad

The record

Track listing

11 tracks
  1. 0 The Great Brain Robbery Preview sources
  2. 1 Think Back and Lie of England Preview sources
  3. 2 Polkageist! Preview sources
  4. 3 Crux of the Message Preview sources
  5. 4 The Disenchanted Forest Preview sources
  6. 5 The Antibody Politic Preview sources
  7. 6 When God Logs-Off Preview sources
  8. 7 You Lost My Memory Preview sources
  9. 8 Déjà-Vu Ain't What It Used to Be Preview sources
  10. 9 Any Old Irony? Preview sources
  11. 10 Swords of a Thousand Men (Bonus track) Preview sources

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Listening #1782

Skyclad — Folkémon

Cover art for Folkémon

EveryDisc · 4.0 / 5 · · 2018-04-10 09:24:43

I don't like folk metal at all and consider it a quite monotonous genre, but this does not apply to the Britons calling themselves Heavenly Sword. Although there is an abundance of banal songs and even albums by them too, they are balanced by several successful records where the emphasis is made on heavy [metal] and thrash, and folk goes only as a bonus to the heavy sound. Plus, I am not at all gladdened by folk female vocals, sounding like folk art. The band [composed] of former members of Sabbat and Satan rids [one] of such torture. Folkemon, however, I will call the best folk metal album in the history of music, or definitely in the Top-3. And definitely the heaviest in the history of Skyclad. From the first song, the band charges riff-heavy metal hits, which don't end until the final folk [song] Swords of a thousand men. Folkemon is the last successful Skyclad album, because after it vocalist Martin Walkyier left the collective, which in the end both sides acknowledged as a mistake. For the sake of a real metal sound, the band even signed to Nuclear Blast, which became one more correct step in achieving success. The drive, the vocalist's charisma, memorable choruses, and powerful riffs, seasoned with folk entourage - is the recipe for an excellent folk metal record where there is nothing superfluous and the sound is not overloaded with bagpipes, violins, and other harps. I will repeat that I have no bias toward the genre, but with an abundance of acoustic instruments all the songs begin to merge into one with minimal variations. On the whole, Folkemon needs to be listened to, and listened to in its entirety, by lovers of heavy [metal] and thrash, and folk metal alike. This is an unambiguous bullseye.

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